SPECTACLE AS A FORM OF MASS COMMUNICATION IN THE CONTEXT OF DIVERSITY OF COMMUNICATION MEANS
DOI:
https://doi.org/10.18372/2412-2157.14.8780Abstract
The article is devoted to the analysis of communicative characteristics of the spectacle under circumstances of total visualization in the post-modern societyReferences
Банфи А. Природа зрелища / А. Банфи // Избранное. – М. : Просвещение, 1965. – С. 93–94.
Брайант Дж., Томпсо С. Основы воздействия СМИ. http: //www.i-u.ru/biblio/archive/braynt_osnovi/14.aspx
Вульф К. К генезису социального. Мимесис, перформативнось, ритуал. / К. Вульф ; пер. с нем. Г. Хайдаровой. – СПб. : Интерсоцис, 2009. – 164 с.
Дебор Ги. Общество спектакля / Ги Дебор. – М.: Логос, 2000. – 184 с.
Маньковская Н. Б. Эстетика постмодернизма / Н. Маньковская. – СПб. : Алетейя, 2000. – 347 с. – (серия «Gallicinium»).
Миронов В. В. Коммуникация глобальная. Глобалистика : Энциклопедия. «Диалог» / В. Миронов. – М.: Радуга, 2003. – 1328 с.
Хренов Н. А. Зрелища в эпоху восстания масс / Н. А. Хренов. – М.: Наука, 2006. – 646 с. – (Искусство в исторической динамике культуры).
Downloads
Published
How to Cite
Issue
Section
License
The scientific journal adheres to the principles of Open Access and provides free, immediate, and permanent access to all published materials without financial, technical, or legal barriers for readers.
All articles are published in Open Access under the Creative Commons Attribution 4.0 International (CC BY 4.0) license.
Copyright
Authors who publish their works in the journal:
-
retain the copyright to their publications;
-
grant the journal the right of first publication of the article;
-
agree to the distribution of their materials under the CC BY 4.0 license;
-
have the right to reuse, archive, and distribute their works (including in institutional and subject repositories), provided that proper reference is made to the original publication in the journal.




